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Showing posts from November, 2024

Part 1: Hamlet's uncle "Claudius" as lame, satyr, & polysemous

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Last week I hinted at reasons why Shakespeare may have named Hamlet’s uncle Claudius. Consider a prerequisite: Too many people limit thinking to binaries, either-or, yes-no, treating words like “Claudius” as ciphers with a single meaning, an allusion to one historical or literary figure. The trick is not to decode a single meaning, but to embrace multiple possibilities, like stepping into a multiverse [1], or what Julia Kristeva and others call “intertextuality” [2]. The name “Claudius” can mean more than one thing (can be polysemous), each meaning relevant in its own way. Next, note that “Claudius” can mean “lame” [3]. Maybe King Hamlet’s brother was disabled and was thought less fit for rule than his brother, like Richard III (of hunched-back fame, blamed in another Shakespeare play for killing the young princes in the tower, getting rightful heirs out of his way). First, “Claudius” can mean “lame” [3] Maybe King Hamlet’s brother was disabled and was thought less fit for rule than hi...

Shakespeare's Pericles - Royal Shakespeare Company on Tour in Chicago

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We went on pilgrimage to Chicago over the weekend to see Shakespeare's 𝙋𝙚𝙧𝙞𝙘𝙡𝙚𝙨 performed by the Royal Shakespeare Company at the Chicago Shakespeare Theater on Navy Pier. The production was absolutely stunning: - Its set features dramatic use of ropes (as seen in the CST post below) which evokes a sailing ship for the sea-journeys of Prince Pericles. - A surprising number of key scenes incorporate masterfully choreographed dance to convey the competition for, and wooing of, a princess to be the wife of the prince. - The acting was excellent, making the words and lines clear, but also conveying their emotion, and also adding humor and fun. - The performance also included music in very effective ways! This was not merely pre-recorded, but performed live by the actors themselves. - Some members of the playing company had to play more than one (strongly contrasting!) role: they switched with seeming effortlessness and brought each new role to life. Even the smallest grunt o...

INDEX: Why Claudius, not Feng? What's in a name?

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INDEX and INTRODUCTION (this post: see INTRODUCTION following this index) https://pauladrianfried.blogspot.com/2024/11/index-why-claudius-not-feng-whats-in.html PART 1: Hamlet's uncle "Claudius" as lame, satyr, & polysemous - 26 Nov, 2024 https://pauladrianfried.blogspot.com/2024/11/part-1-hamlets-uncle-claudius-as-lame.html PART 2: Hamlet, Claudas, and Arthurian legends (Claudius series) https://pauladrianfried.blogspot.com/2024/12/hamlet-claudas-and-arthurian-legends.html PART 3: Arthurian Wastelands and rotten Denmark under Claudias https://pauladrianfried.blogspot.com/2024/12/arthurian-wastelands-and-rotten-denmark.html ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ INTRODUCTION: Why did Shakespeare (or some unknown predecessor or collaborator) name Hamlet’s uncle Claudius (a Roman name! un-Danish!) and make him a Christian—but unrepentant—sinner? In Saxo Grammaticus’ history (1208? Latin trans.1514), it...

Me at Eight: St. Martin of Tours and Hamlet

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Raised Catholic but no longer observant, I still recall 3rd grade - 8-years old? -  preparation for confirmation, and having to choose a confirmation name. I'd been given a book ( Sixty Saints for Boys , 1948) - a tale about Martin of Tours appealed to me. It claimed Martin was a Roman soldier with a large, warm, not unattractive cloak. It was cold. He cut his cloak to give half to a beggar he encountered on his way. Fellow soldiers made fun of him. But in a dream, the beggar revealed himself as Jesus. What a strange choice, for an 8-year old to choose this name! Was I choosing that I should commit to being generous, even if peers made fun of me? (Today, November 11, is the Feast Day of St. Martin of Tours.*) Many years later, I now research and write about Shakespeare's 𝘏𝘢𝘮𝘭𝘦𝘵, a play in which the ghost says the poison that killed him made his skin "Lazar-like," a reference to the gospel tale of the rich man who neglects the beggar Lazarus; after they die, the ...

𝘼𝙡𝙡 𝙩𝙝𝙚 𝘿𝙚𝙫𝙞𝙡𝙨 𝙖𝙧𝙚 𝙃𝙚𝙧𝙚, Patrick Page at The Guthrie

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𝘼𝙡𝙡 𝙩𝙝𝙚 𝘿𝙚𝙫𝙞𝙡𝙨 𝙖𝙧𝙚 𝙃𝙚𝙧𝙚, Patrick Page's excellent one-man Shakespearean show, is at The Guthrie Theater in Minneapolis, Minnesota after a strong run that generated very positive reviews in New York last year around this time. We attended the Minneapolis show and it was amazing, thoughtfully-written and edited, and very nicely supported with simple lighting and costume effects, but Page's acting is really the centerpiece. The Minneapolis Star-Tribune calls it "One of 2024′s best shows": The show has been designed in such a way that one does not have to know entire plots of the plays from which the villains lines are taken: Page gives enough information as needed, and then dives in, and it is all remarkably effective. The title comes from Shakespeare’s late play, 𝘛𝘩𝘦 𝘛𝘦𝘮𝘱𝘦𝘴𝘵: “Hell is empty, and all the devils are here.” Page explores some of the most famous villains, most of them male, but a few female, and he also admits in part of the s...

Hamlet: TO BE wins vs. NOT TO BE, 46 to 2

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“To be” in Hamlet occurs 46 times; “Not to be,” twice:[1] 1.1 Bernardo Get thee TO BEd, Francisco. Horatio any good thing TO BE done 1.2 Claudius TO BEar our hearts in grief, and our whole kingdom TO BE contracted in one brow of woe... ...Our state TO BE disjoint Hamlet [TO BErnardo] Good even, sir. 1.3 Laertes It fits your wisdom so far TO BElieve it Polonius …better TO BEguile. 1.5 Ghost The glowworm shows the matin TO BE near 2.2 Guildenstern …lay our service freely at your feet, TO BE commanded. Voltimand …appear'd TO BE a preparation Pol …is't but TO BE nothing else but mad? Pol (reading Ham) …Doubt truth TO BE a liar Ham TO BE honest, as this world goes, is TO BE one man pick'd out of ten thousand. Ham Com’st thou TO BEard me in Denmark? 3.1 Guild Nor do we find him forward TO BE sounded Ham TO BE, or not TO BE*… …a consummation Devoutly TO BE wish’d (* 1st “not to be”) 3.2 Ham …some necessary question of the play be then TO BE considered Rosencrantz …ere you go TO ...