Paul Adrian Fried / HAMLET'S BIBLE

Many viewers and readers of Shakespeare's Hamlet (including me) approach the play from a secular point of view. Yet historians and Shakespeare scholars know that the play was written at a time when there were many religious controversies: Shakespeare's older sister had been baptized Catholic under "Bloody" Mary I, when Protestants had been burned at the stake as heretics. Shakespeare had been baptized under Protestant Elizabeth I, during whose reign many Catholics were executed as traitors, hung until nearly dead and disemboweled so they could see their organs ("drawn and quartered"). Catholics believed in transubstantiation, that the host was actually the body of Christ, but English Protestants took that language less literally. Catholics believed in purgatory, that imperfect but mostly good souls might be purified before entry into heaven, while Protestants believed that at the moment of death, one's fate was sealed, bound for heaven or hell at th...

In The Comedy of Errors, "beg" occurs only four times; "poor," 10. The story contains two sets of twins, and each set bears the same name: Two of Antipholus, two of Dromio, the former raised to be masters, the latter bought and raised to be servants (slaves). - Because "their parents were exceeding *poor*," the Dromio twins were "bought and brought up to attend" Egeon's sons (1.1, an act of charity, or exploitation, or both). - But Egeon of Syracuse has traveled to Ephesus as a refugee to find his later-separated sons, risking death by execution because Syracuse and Ephesus are at war. - Solinus, Duke of Ephesus, tells Egeon to *beg* or borrow the money for his ransom to spare his life (1.1). - Luciana, sister-in-law to Antipholus of Ephesus, tells her sister that the love she *begged* for her sister from the Antipholus she believed was her sister's husband, he begged of her (4.2, because unknown to her, the Antipholus who begged lov...

This is the latest installment in a multi-part series examining how characters interact in Hamlet, offering opportunities, gifts, planting seeds for future inspiration, or for changes of heart & mind. It follows ideas from Lewis Hyde (“The Labor of Gratitude,” a chapter in his book, The Gift: Imagination and the Erotic Life of Property) . For more notes on the series and an index of previous posts in this series, see the end of this post. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Introduction: I have been writing a series of blog posts about characters in Hamlet who undergo change due to interactions or events that result in gratitude or regret. This has been inspired in part by Lewis Hyde’s chapter called “The Labor of Gratitude.” Yet in part it has also been inspired by my work on biblical allusions in Shakespeare. It sprang from a basic question: If Shakespeare quoted from scripture, paraphrased scripture, and also echoed biblical plots in various moments of his plays...