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Showing posts with the label performance tradition

Hamlet and scholarly paradigm conditioning

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Insights from scientists who study paradigm shifts and scientific revolutions that might shed light on confirmation bias [1] in Shakespeare scholarship: In his famous 1963 book on scientific revolutions, Thomas Kuhn tells of an experiment where subjects were asked to view playing cards for brief, controlled amounts of time, and identify them. Many were normal; a few were “made anomalous, e.g., a red six of spades and a black four of hearts.” Some had trouble with the anomalies, but as the time to view each card increased, subjects were more able to correctly notice and identify even the anomalies. “Further increase of exposure resulted in still more hesitation and confusion until finally, and sometimes quite suddenly, most subjects would produce the correct identification without hesitation. Moreover, after doing this with two or three of the anomalous cards, they would have little further difficulty with the others.” [Most, but not all?] “A few subjects, however, were never able to ma...

Peter Brook on how Victorian traditions get in the way of Shakespeare, & on cultural appropriation

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Excerpts from LA Times article:   In an interview with director Richard Eyre, Brook explained what he was after: “I think that what was quite clear was that ‘Lear’ had suffered like all the other plays from tradition. … Because we hadn’t got a true Elizabethan tradition: we had at that time a very, very bad Victorian tradition that took you far away from the plays," Brook said. "It had put a wrong pictorial stamp on the plays and a wrong moral stamp, because the Victorian tradition told you very strongly who were the good and who were the bad people.”   [PF notes: This is often still true of other plays, including Hamlet , where performance- and critical traditions get in the way of new. insightful interpretations.]   [...]    "The Mahabharata,'' Brook's epic production created with co-director Marie-Hélène Estienne and dramatist Jean-Claude Carrière, theatricalized for Western audiences the vast Hindu epic. The nine-hour work, a culminat...