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Showing posts with the label The Merry Wives of Windsor

Herod in Shakespeare

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The word “Herod” [1] occurs NINE times in Shakespeare, in four plays:  Once in in 𝘛𝘩𝘦 𝘔𝘦𝘳𝘳𝘺 𝘞𝘪𝘷𝘦𝘴 𝘰𝘧 𝘞𝘪𝘯𝘥𝘴𝘰𝘳;  twice in 𝘏𝘢𝘮𝘭𝘦𝘵 (“out-herod’s Herod,” 3.2.14-15, and given the name of the player queen, “Baptista,” also a nod to Herod Antipas [2], who had John the Baptist beheaded for condemning his incestuous marriage);  and once in 𝘏𝘦𝘯𝘳𝘺 𝘝 as a reference to Herod the Great’s slaughter of innocents:  “Your naked infants spitted upon pikes Whiles the mad mothers with their howls confused Do break the clouds, as did the wives of Jewry At Herod’s bloody-hunting slaughtermen (3.3.38-41). “Herod” occurs five times in 𝘈𝘯𝘵𝘰𝘯𝘺 𝘢𝘯𝘥 𝘊𝘭𝘦𝘰𝘱𝘢𝘵𝘳𝘢 (Cleopatra lived at the same time as Herod the Great.) In the second scene, a servant says, “Let me be married to 𝘁𝗵𝗿𝗲𝗲 𝗸𝗶𝗻𝗴𝘀 in a forenoon, and widow them all: let me have a child at fifty, to whom 𝗛𝗲𝗿𝗼𝗱 of Jewry may do homage.” (1.2.27-30) We hear not only “Herod” bu...

Polonius, Apuleius, Will Kempe, & Hidden Lovers

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My blog entry last week dealt with Polonius, Jephthah, William Cecil, the Elizabethan Bond of Association, and the theme of bad vows in the Biblical Jephthah tale. This week I continue exploring ideas related to the character of Polonius: possible connections to Apuleius, author of The Golden Ass , a rambling tale (what some in the U.S. might characterize as a "shaggy dog tale") containing many diversions, perhaps resembling the verbal style of the royal counselor. [Title page from John Price's Latin edition of Apuleius' novel "Metamorphoses, or the Golden Ass" (Gouda, Netherlands, 1650). Public domain.] Shakespeare’s A Midsummer Night’s Dream especially shows familiarity with The Golden Ass , which is in part about a man changed into a donkey. [Lucius takes human form, in a 1345 illustration of the Metamorphoses (ms. Vat. Lat. 2194, Vatican Library). Public domain.] [ Edwin Landseer, Scene from A Midsummer Night's Dream (1851), public...