Paul Adrian Fried / HAMLET'S BIBLE

When Hamlet mentions “Termagant” in advice to the players, he says it as if “everybody there would know exactly what [he] was talking about” [1]. What did Shakespeare assume his audience would know about Termagant, and why would dropping his name fit this play? The earliest known mention of Termagant is from “The Song of Roland” (an 11th-century work about a Frankish warrior, Roland (archetype of a Paladin) who fought in AD 778 under Charlemagne [2]. Termagant was a fictional god, assumed to be violent, falsely associated with Muslims by Christians who feared and did not understand their Saracen enemies [3].  The tale of Roland resembles aspects of Hamlet, in that Roland dies a martyr’s death in what seems in the end a suicide mission. Roland had a horn made of an elephant (oliphant) tusk that he was reluctant to blow for fear of being cowardly and dishonorable [4].  In Shakespeare's Henry IV, Part 1, after cowardly faking death in battle, Falstaff calls Hotspur a "hot te...

ALLUSIONS TO ISLAM IN HAMLET:  BACKGROUND: Some Protestants like Luther viewed Islam with concern and envy as a false religion but admiring the unity of the Ottoman Empire compared to Christianity. Luther compared discipline in Islam to Catholic admiration for works (not "faith alone") for salvation. Luther aided in the publication of a German translation of the Qur’an. The Ottoman Empire was a geopolitical threat; Turkish pirates in the Mediterranean had captured Christians, and some of these converted to Islam.  There are three relatively direct references in Hamlet to Islam or its adherents, plus two more indirect references:  A. Hamlet refers to Termagant [1] in 3.2.14, with Termagant as a fictional god, in Christian propaganda, falsely attributed and used to discredit Islam [2].  B. Hamlet’s fortunes may “turn Turk” (3.2.302, may betray him like a Christian converting to Islam); but this may be ironic given Shakespeare’s later play about Othello the Moor, and th...